Kate, at minieco, has directions for making this winter popup card (plus several variations) here.
I recently ran across a new website: Lettering vs Calligraphy, a collaborative project by Giuseppe Salerno and Martina Flor. Every day they create a letter responding to a keyword given by a moderator, one using lettering (drawing) and the other using calligraphy (writing). Who knew there was a difference?
This being the web, visitors are invited to vote for their daily favorite. Below is J — lettering on the left (by Martina), calligraphy on the right (by Giuseppe).
What I like about this flipbook by Matt Shlian is that he’s used a transparent paper, so something is happening on the left side of the book as you flip it…
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I’m a sucker for almost any type of paper. I found this seed paper (really a plant-able paper tape full of seeds) on Etsy recently. I suppose it caught my eye because I’ve just put my garden to bed for the winter and taken stock of what just survived, what did well and what succumbed to the heat, dryness and rabbits. I’m already thinking about what I’ll do next spring…
When I posted an announcement on the BookArts List about P&P, my Pride & Prejudice pop-up, Karen Hanmer sent me a link to her take on Austen’s book — 3 sculptural works that pair text from the Austen’s novel with images cut from the covers of modern romance novels — Tunnel of Love (a tunnel book), Head Over Heels (a Jacob’s ladder book) and Whirlwind Romance (shown below).
Recently Lee Kirk announced that she had “Molds, Mats, Moulds, Flongs” for sale on Etsy. I didn’t know the word flong so I took a look. According to wikipedia
Flong is a term used in relief printing (also called a stereo mould), which refers to an intermediate step in making of a stereo plate typically used in a rotary press though not exclusively. The process was called Stereotyping.
Invented in Lyon in 1829 by the French printer Claude Genoux, a flong was a papier-mâché mould made with the aid of heat and pressure of a set forme of type. After placing it in a casting box, a thin replica of the original (metal) type (and illustrations) would be cast against it all in one piece. A limited number of duplicate casts could be made from one flong. The back shaved stereo plate would be attached to a press cylinder or honeycomb base and allow the original undamaged type to be distributed or recycled. The stereotypes could be stored for repeat editions in much less space than standing forms.
A further improvement to the technique was made in 1893, when the dry flong replaced the wet flong. More recently, flongs have been made of phenolic resin boards (perhaps also plastic and rubber) and are still used in places to cast rubber stamp sheets instead of type metal stereos, the last commercial use is certain types of rubber relief printing mats (sheets) for flexo printing. They remained widely in use until the invention of offset lithography in the late 19th century led to rotary presses being mostly replaced by the new technology.
The word is derived from the French flan; or the Latin word “flana”.
Here’s one of the flongs Lee is selling, from 1929.