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I often think the best artist’s books are children’s picture books. The other day on Brain Pickings there was a post entitled Little Big Books: What Makes Great Children’s Picture Book Illustration about a book that documents some of the best contemporary children’s book illustration. I noticed the spread below from Laura Varsky’s Lady René. (The font for this book is available here and Varsky’s website — with more books and illustrations — is here.)
I’m working on a book with an Emily Dickinson poem in it (see my first post here), and thinking about using stained glass windows like the one to the left as illustrations. A double-sided accordion, where you can see the windows from the front and the back, seems like it’s worth pursuing. But what text to put on the back of the accordion? Dickinson to the rescue… The following poem has bird imagery and the same number of stanzas and many em-dashes, so it seems like a good candidate:
“Hope” is the thing with feathers—
That perches in the soul—
And sings the tune without the words—
And never stops—at all—And sweetest—in the Gale—is heard—
And sore must be the storm—
That could abash the little Bird
That kept so many warm—I’ve heard it in the chillest land—
And on the strangest Sea—
Yet—never—in Extremity,
It asked a crumb—of me.
My current idea is to print the window illustrations on tissue or rice paper, cut holes in the accordion and affix the tissue over the cutout. Light could then come through the “window,” and the illustration would be the same on both the front and back.
In a comment to my post the other day about my current prompt challenge, Steven said
When setting em dashes the typesetter should not place space on either side of the dash.
When I started editing the PCBA Ampersand and put together a style sheet, I asked several people about em-dashes and spacing, and got several different answers. I decided against spaces. And for the haiku in all my calendars, I’ve not used a space. But Steven’s comment made me notice that wordpress (which I use for this blog) has its own idea about dashes and spaces. It turns a double dash into either an en-dash or em-dash, depending on whether the dashes are at the end of the line or have spaces around them.
Earlier this year, I started a prompt challenge where I used a word a week to inspire some bookmaking. It was a lot of work, and I gave up in exhaustion after a couple of months. But it certainly generated a lot of ideas and led to several new books. Now I’m going to try a different sort of prompt — specific poems.
Bear with me while I get to the poem I’m going to try…. I use em-dash (the long one —) when I write out my haiku, but my set of metal Bembo only has the short en-dash, so when I handset Summer in Vermont, I used periods instead of dashes. This fall I finally got around to buying some em-dashes. In the meantime I started drawing the birds that congregate at the bird feeder in my front yard.
Then my Mom sent me some Emily Dickinson poems, notorious for the use of the em-dash. One poem in particular struck me as perfect for a prompt challenge, as it uses bird imagery and plenty of dashes.
Some keep the Sabbath going to Church —
I keep it, staying at Home —
With a Bobolink for a Chorister —
And an Orchard, for a Dome —Some keep the Sabbath in Surplice —
I, just wear my Wings —
And instead of tolling the Bell, for Church,
Our little Sexton — sings.God preaches, a noted Clergyman —
And the sermon is never long,
So instead of getting to Heaven, at last —
I’m going, all along.
When I think of churches, the first thing that comes to mind is stained glass windows, so my initial idea is to combine windows and bird images — that’s one I did of a bobolink above. I’m not giving myself a deadline on this one, but I’ll keep reporting back as I get more ideas and build models…
After much procrastination, I’ve finally set up a facebook page for Green Chair Press. Take a look here.