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I’m continuing to read books on my kindle — I’m currently wading through James’ The Bostonians — and I like it better and better for reading in bed. Despite what xkcd says in the comic above, the web access may be free but the built-in browser is horrible.
My friend Cathy sent me a link to this wonderful interview with Ann Krischner where she compares reading Dickens’ “Little Dorrit” 4 different ways: as a paperback, as an audio book, on her Kindle and on her iPhone. The first question in the interview cuts to the heart of the big issue with the kindle (at least for me): “Do you love reading or do you love books?” (My answer: reading.) The interview is posted 2 ways — as a podcast and a transcript. I must say that I really liked reading along as I listened, seemed to make me listen more attentively.
One of the prints I liked best in the printer’s swap I participated in earlier this year is this print of an iris by Hijiri. On her blog, she has several posts on the process of making the print, from inspiration to printing to finish…
I’ve been too busy with other stuff recently to think much about my own bookmaking projects. Last month my computer died unexpectedly (isn’t that always the way it works?) and I had to get a new one with an updated operating system. For a while it looked like I wasn’t going to convince my very old but much loved inkjet printer to work with my new setup and as I looked at large format inkjet printers as replacements, I began dreaming up new projects to try. But after more cajoling, my faithful printer is working again, so why spend the money and (much worse) considerable learning time on a new one?
But there must be something in the air, because small nudges to work on something new seem to happen every day. Yesterday my friend Kate sent a link to a contest at Lulu: Create a Mini Photography Book. Win $500. Even if I don’t enter the contest, their new mini books have interesting possibilities. They have 2 sizes, 3.75×2.5 and 5.25×3.5. The smaller one is $3.99 each for a 20 page book, and I probably couldn’t make a small edition for that price (see all the details here).
And then came a call for entries for Broadsided! The Intersection of Art and Literature, an exhibition of letterpress printed broadsides in October in Portland…. guess I better get busy!
I’ve seen this print at a number of book fairs and it always makes me chuckle. It’s printed by Gerald Lange, who runs Bieler Press and started the PPLetterpress list. In his Etsy shop, he gives this review of the print from Fine Print:
Here a disarmingly simple aphorism is combined with a wood engraving of two of the most perfectly astonished rabbits conceivable. The effect is priceless. Words assert, images respond. The broadside’s elements congeal, calling up the multifaceted incongruities that lie at the heart of all humor.
I taught beginning letterpress last Sunday at the San Francisco Center for the Book. I particularly enjoy watching the students select the type face to use for the cards they handset. This time one student chose to pair delicate Arrighi with a wonderful cut of a hen, and another paired a chunky gothic face with a printing block (cut) of a dragon. At the beginning of the day, as I’m setting up, I always check out the type cases to see if there’s anything new, and to read the pangrams. (A pangram is a sentence using every letter of the alphabet at least once. They give the student an idea of what the type in the case looks like — narrow, wide, chunky, small, large, serif or sans serif…) Here are some more examples…