Satisfying Day

piles of calendar pages


Last Thursday was a very satisfying day — on Wednesday I finished letterpress printing my calendar pages for 2011, and Thursday morning I got them all trimmed. That’s the result above. There’s more to do — there are 2 more months to print, using zazabro, old man gloom japanese paper marbling, then the pages have to be collated, put in the jewel cases, and finally I can photograph everything.
As I printed the calendar, I couldn’t help but think back on the year since printing my last one, and even more so as I finished in a week where the new chill in the air signals the oncoming Fall. Thursday was also Zozobra here in Santa Fe. That’s the day they burn “Old Man Gloom” (a 50 ft articulated puppet — that’s him to the right) to chase away the hardships and travails of the past year. You can write down your troubles on paper, and they’ll be burned up with him. It was quite a sight watching him go up in flames — it’s a 4 or 5 hour event with bands, singing, and a spectacular fireworks display — I felt quite uplifted afterward.

The Arts Map

Book Arts on the Arts Map

The Arts Map is an interactive on-line map of artist’s studios, galleries, museums and arts organizations. Artists are categorized, and book arts is one of the categories! Above is the map for all the people in the book arts category — although since people self-categorize, my conclusion from a random sampling of places on the map is that most really don’t produce artist’s books or hand bind any sort of book, which I guess speaks to the misunderstanding (or ambiguity) of exactly what “book arts” means. Take a look here.

Bookbinding Press vs. Copy Press

Book Press from Restoration HardwareRecently on the book arts listserv, someone posted a link to the “bookbinding press” to the left — sold at Restoration Hardware as “a faithful reproduction of a century-old bookbinder’s press, used to keep even pressure on books as they dried” and “hefty enough to double as a bookend, and useful for pressing forget-me-nots between pages as well.” Someone responded that this was “copy press” not a “book press,” which started a conversation about the difference between the two.

My understanding is the main difference between a copy press and a book press is the amount of daylight between the platen and the base. My press has only 3-1/2″ daylight which is fine for a single book. Book presses have
at least 12″ of space so they can accommodate more than one book in the press.

David Amstell piped in

It would seem that there is a difference between a Copy Press and a Bookbinder’s Press… The central screw of the true bookbinder’s press has a thread with a considerably lower slope. This means that when the press is tightened up, the wheel or T-bar can be given an extra distance of tightening, thus providing extra pressure to the book. On the other hand, the platen of many copy presses, which usually have a higher screw slope, bounce back slightly from the full tightening, thus giving an inefficient pressing…The manufacturers of some of the modern bookbinding presses, it would appear, have realised this principle of the low-angled screw. Consequently, their presses are very efficient to use.

But what exactly is a “copy press?” Several people on the listserv mentioned an out-of-print book “Before Photocopying: The Art And History Of Mechanical Copying 1780-1938” by Barbara J. Rhodes and William W. Streeter (Hardcover – May 1999), but didn’t explain. So I looked online and found 2 things: Thomas Jefferson’s design for a portable copying press was first built in London in 1786, see a picture here and more about it here. And in this nice post about Richard Bell’s research into the history of a copy press he got from his father, he clears up the difference with this:

In an article published in The Office magazine about Victorian desktop publishing, Darryl Rherr writes:

“Desktop Publishing’s first century began in 1856, when British chemist William Perkins discovered the first synthetic dye, aniline purple. This dye pointed the way to a wide range of new inks, including ‘copying ink’ used in the first practical method of reproducing business documents.

An original written with copying ink was placed against a moistened sheet of tissue, the two were pressed together in a massive iron press, and a copy would appear on the tissue. Since the copy was backwards, the tissue had to be held up to the light to be read. The copy press became a fixture in every Victorian office. Today, they are sold in antique shops as ‘book presses,’ their true function long forgotten.”