Books on Books: Booklover’s Mysteries

Cover of The Haunted BookshopAt the beginning of the year, Alice Simpson posted a query on the Book Arts List for titles of fiction that had books as a central plot point. Lots of people answered, and I’ve compiled a list HERE (if you have any additions for the list, let me know in the comments section). The list is a smorgasbord, some fiction, some mysteries, some new, some old. I thought I’d start by reading the mysteries on the list, and here’s what I’ve read so far:

  • Unsolicited and Uncatalogued by Julie Kaewert (1994 and 2002), part mystery, part adventure-thriller, part romance. Sluggish writing and too much violence for this reader.
  • The Club Dumas by Arturo Pérez-Reverte (1993). After a few chapters, I had an odd feeling I’d read this book already, but had forgotten to record it in my book log. I said something about this to my husband, who reminded me that the book was made into a movie I’d seen called The Ninth Gate. The book, despite the lack of Johnny Depp, is much better than the movie, especially on how one might go about forging a 17th-century text.
  • The Amazing Adventures of Kavalier & Clay by Michael Chabon (2000). Not a mystery, but a huge novel about the rise of comics, the Holocaust, NYC, Jews, and World War II. Quite an adventure and fun to read.
  • Parnassus on Wheels and The Haunted Bookshop by Christopher Morley (1917, 1919). Parnassus on Wheels is about a fictional traveling book-selling business owned by Roger Mifflin. The Haunted Bookshop continues Mifflin’s story, after he settles down in Brooklyn with a second-hand bookstore. The second is a bit of a mystery story; the name refers to the ghosts of the authors that haunt bookstores. Both books are light-hearted and sentimental — perfect for a Sunday afternoon — and left me feeling full and satisfied.

Kindle

newyorker.jpgNot long ago, I realized my reading habits have changed quite a bit since I moved in 2006. I don’t have much room for books at home, so I’ve always borrowed them from the library. The library used to be around the corner, now it’s much more inconvenient. I still use the library, but often I have to put the book I want on hold, wait a few weeks, and by the time I finally start reading, I’ve forgotten why I got the book in the first place. Finding a story that I read to the end has been iffy too — I seem to loose interest half way through.
I read a lot more on-line now, blogs and magazines and newspapers. Courtesy of Project Gutenberg there are a lot of books in the public domain (those classics we were supposed to read in college and high school) that can be read online. I downloaded a reader for my iphone and tried reading on it, but the pages were just too small.
Continue reading Kindle

The Feminist Broadside Series

TUGBOAT THEAAnagram Press and Springtide Press in Tacoma Washington have teamed up to print a series of “feminist broadsides” — that’s the latest to the left. It’s got a quote by Thea Foss, who founded the Foss Tugboat company in Tacoma. Each one has a quote and a short history of the woman quoted — for Foss:

Norwegian immigrant Thea Christiansen Foss (1857 – 1927) arrived by train to Tacoma in 1889 as Washington achieved statehood. While her husband Andrew was at work she spent five dollars on a rowboat, launching a marine transport business that would grow into Foss Maritime, operating the west coast’s largest fleet of tugboats. Thea inspired the character “Tugboat Annie” featured in a “Saturday Evening Post” series, motion pictures and a television show. Tacoma’s Thea Foss Waterway is an inlet connected to Puget Sound named in her honor.

Others in the series are

Artistic Printing

Example of artistic printingOver on the Design Observer there’s a post by Eric Baker about “artistic printing” from the late nineteenth century. He says

“Practitioners of artistic printing subscribed to the belief that letterpress printers could and should develop their own sophisticated styles; that they should avail themselves of artfully arranged type; and that less could not possibly be more….To contemporary viewers, much of this work appears chaotic and overblown, out of step with modern opinion. Yet the best of this work endures, reminding us that a century ago, designers privileged excess, developing a body of work that relied upon a lively orchestration of mismatched form: from brass rules to floral ornaments to a myriad of deeply ornamental typefaces…”

There’s one example on the left. The examples are from the collection of Scottsdale, Arizona designer and collector Richard Sheaff. Do check out Sheaff’s website — it’s chock-a-block with history, photos and examples. Over the past several days, I’ve spent a very happy couple of hours reading and looking.